Control | Spoken Word

Control by Twinkle VanFleet

Control it
Hold it
(Down)

Rolling the dice (Gamble) (Rambling?)

Ascendancy
Enough of
(Play off?)

Regulate
Not anymore
(Keeping score?)

Oversight
Not really, though
(As above, so below)

california-state-capital-california-international-marathon-december-4-2016

California International Marathon, California State Capital December 4, 2016.

(Everything and nothing)

(Balance)

Ascertain
Rarely exists (Remain?)

Responsibility
Owning it
(Grow)

Authority
Consider this
(Risk)

Influence
Subsist
(With…?!)

Controlled

(Dismiss it)

Throw down
(Profound?)

Broken, hoping
(Coping)
Faded, Jaded

Climb, rhyme
(Time)
Sublime, realign.

©2016 Twinkle VanFleet. All Rights Reserved. Copyright Laws and Regulations of the United States http://www.copyright.gov/title17/

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Conscientious | Poem

Conscientious
by Twinkle VanFleet

Distance, resistance
Defiance, compliance

Residual, peripheral
Visions, decisions

Subjective, objective
Experiences, differences

Reckless, perspective
Gracious, reflective

Ambition, intuition
Volition, submission

Relevancy, hesitancy,
Prevenancy, indefinitely

Precognition, transition
Recondition, re position.

©2016 Twinkle VanFleet All Rights Reserved. Copyright Laws and Regulations of the United States http://www.copyright.gov/title17/

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Drop a Beat (Rap it Up)

By Twinkle VanFleet

Diversity by Twinkle VanFleet

Diversity by Twinkle VanFleet

Trip, slip, low to high,
They could’a killed you,
And you tried to die

Drop a beat,

‘N fuckin’ fly

Trip (Love that pen)
Slip (Fuck it 100 then)
Fly (Fly high over ‘n over again)

Fuck this shit (I’m in)
Just fly
Don’t let it pass by
(Don’t let anything fade by)

Stand out, step up
Dance
Rap it up

Smile (You’ve got that smile)
Laugh (Bring that pain down, awhile)

Break up (Break down)
Put it back together (Slow down)

Choose to live
Choose to die
Shit, just fuck ‘N Fly
It filled you up inside
For that moment you cried to die
(But you ain’t dyin’)

You chose to live (Still flying)
You gave to give (Still riding)
Now you’re chillin’ (Instead of dying) (No one’s dyin’)

You rose up
Yet you was hiding
Now you’re living, again
Instead of dyin’

Stand out, step it up
Dance!
Rap it up

Wrap that shit side up, let it go
Dance
On the reg, on the rise,
During the slip and the slide
Over the side
All alright now,
Deuces high

You know what

Jus’

 

Smile (Love that smile)
Laugh (Pain down, relaxed)

Rap ‘N Wrap it up (Don’t stumble over it. Shit tho’ gotta rise over it)
High fly, word! ai’ght…

Drop another beat, get on with it.

Rap it up.

©2016 Twinkle VanFleet/Golden Rainbow Poetry/All rights reserved. Copyright Laws and Regulations of the United States http://www.copyright.gov/title17/

 

 

Deliverance | Suicide

Deliverance

By Twinkle VanFleet

TwinkleV March 2 2016

March 2, 2016

Your secrets she carried them well

Your regrets, she could have taken to hell

 

Your confidences, she held inside so tight

Your lies she covered them

From pretend to spreading for headlights

 

She took the blames as her own

Most- right toward the gravestone

Taken for granted; abandoned

Alone

 

Your lies she hid to never tell

For your own rise, prizes and people

Drained, too much to hold onto

Take some? Not even a little

Except your own sins to confess at the steeple

 

Deceptions, other’s misconceptions, restless

Decisions; pained spirit, heart, body and bones

Liquid courage, that little bottle lured it

To breaking down glass houses and home stones

 

Upon the pavement

She spread her wings

Intent, mission served

Ignitions curved

Reasons observed, so well deserved.

 

Abide or suicide

Ignored,  no one to reach for

Many folks lost, blind to the signs

People are given up on for not enough time

 

Will swear to God they never saw anything blue

The beginning becomes the end,

Suicide ensues

 

Reaching out, passively pleading, Negative 10-4

Raining, blaming, scolded, but still loved them more.

Pressed, distressed, stressed, aggressed, led to arrest

51-49 and a half, leaped toward ridding someone elses mess

Deliverance, have you guessed?

Insist, persist, wouldn’t resist, did her best

Affirmative, 5150, tests failed, now you’re dismissed!

 

#StrongerThanPain

#CRPS #RSD #Suicide #Ideations #deliverance #5150 #poeticimagery

I truly am grateful for life, but not all tests and experiences are mine or just for me…

They’re yours, too.

 

 

Just One More Step

By Twinkle VanFleet

Twinkle V and Baby Ozra 1997

My baby son and I- West Sacramento- Spring, 1997

I fight, you fight,
We fight together.
You fight, I fight,
We win forever.

“Just one more step, Mama!
Just one more step”
The little voice echoed,
Made it over the doorstep.

Let go, let go!
Neighbors gathered around,
She spread her wings,
The sticks hit the ground.

The little boy beamed,
In the crowd of praise.
Flying solo,
Because of him, she prayed.

I fight, you fight..
For that one more step!
You fought, I fought!
Haven’t stopped yet.

(Hook)
Step up, step down,
Step in, step out,
Step to, step from,
Just one more step Mama!
Just one more step!
Step it up, Step!
Just one more step Mama
Just one more step.

Just one

one

one

Just one more

(Chorus)
I fight, you fight
We fight together
You fight, I fight
We win forever

(Fight! we fightin’ it)

(Fight it)

(Just one more)

(All it takes)

(Just that one)

I fight, you fight..
For that one more step,
You fought, I fought
Haven’t stopped yet.

(Still fighting)

(Steppin’)

(You Steppin’)

(Just one more step, mine)

We haven’t stopped yet

Twinkle VanFleet and son Ozra #NERVEmber 14, 2014

#NERVEmber 14, 2014 Power of Pain Foundation National P.A.I.N Summit

©2015 Twinkle VanFleet/Golden Rainbow Poetry/All rights reserved. Copyright Laws and Regulations of the United States http://www.copyright.gov/title17/

“I fight, you fight, we fight together” ©Kurtis V.

This quote has been on the internet for over a decade. It originated from my 3 year old son. I carried those words online. They came from the mouth of a babe for his mama (me). On the internet it’s ©Kurtis V. Kurtis V is Kurtis VanFleet a.k.a Kurtis Ozie, Ozie and Ozra.

Wake Up

Wake Up!

By Twinkle VanFleet

 

 Wake Up by Twinkle VanFleet

You don’t have to go there

 

Leave behind the bondage of someone else’s sin

 

You’re stronger than all you seemed

 

Be your own conscience, redeemed.

 

 

 

Wake up, wake up

 

 

 

Never met Angel, never met Molly,

 

Never headed toward the main line

 

Glanced over at the snow,

 

Wash broke so many lives.- 

 

 

 

Rising above the influence,

 

In crowds that made it seem

 

It’s okay to indulge,

 

Be accepted into the cream.

 

 

 

Redik, no trip, 

 

nevah needed the shit

 

Didn’t have to go there

 

Throw down, omit.

 

 

 

A little lick, no trick

 

Imagery and fuse

 

Before you miss the point 

 

This is my nikkah ass muse.

 

 

 

Pressure to the hopeless,

 

The ones left behind,

 

In a world full of chaos

 

Pain and loss entwined.

 

 

 

star-dust, where the go?

 

Ball, Bomber, chasing the grams

 

Crashing hard, heading for the Q 

 

Reaching for the Bamb Bambs.

 

 

 

Wake up, wake up,

 

Popping pills, La glass, got to go fast

 

Better not go there

 

They got your name on blast

 

 

 

Comin’ down, losing yourself,

 

Remember who you are

 

You make you or break you,

 

Come back from afar. 

 

 

 

Never had to meet Angel,

 

Never went looking for Molly,

 

Didn’t travel down that main line

 

No time for dimes just a few rhymes.

 

 

 

No mistake in walking the shoes

 

Of someone else, nothing to lose

 

All was gained, no regrets

 

I got this shit on reset

 

 

 

Let the devil’s catch the fade

 

With your own will power

 

Because only we control

 

Our final hour

 

 

 

Drug abuse, misuse, alcohol, wild hearts judged

 

No one got backbone, until they be grudged.

 

 

 

Wake up, wake up

 

You’re stronger than your worse dream

 

Love yourself first and last,

 

Be absolute and pristine.

 

 

I got you!

 

 

Wake up. 

 

©2014 Twinkle VanFleet. All Rights Reserved. Copyright Laws and Regulations of the United States http://www.copyright.gov/title17/

 

This piece is most likely controversial. There is much imagery in it. It’s written from the point of multiple views.  

 

It is dedicated to all those who struggle with addiction and all those who’ve come up on the other side despite the ‘tragedies’ of life. It does not reflect personal addiction, but rather understanding from multiple sources. Slightly edited from the original. 

Collaborative consideration open for discussion.

Any judgement for this piece will only make me prouder of it. #StrongerThanPain #Ohana

Copyrights – Please be advised – Laws and Regulations

“Copyright protection exists from the moment a work is created in a fixed, tangible form of expression. The copyright immediately becomes the property of the author who created the work. Only the author, or those deriving their rights through the author, can rightfully claim copyright. In the case of works made for hire, the employer—not the writer—is considered the author.” The Campus Guide to Copyright Compliance, COPYRIGHT BASICS: WHAT IS COPYRIGHT LAW? Para 1.

So that the information I’ve previously provided in the post at the end of this page isn’t taken as inaccurate or babble, I’ve taken the time to compile the following for you so that there aren’t any misunderstandings. Links have also been provided so that you may learn for yourselves.

The First Sale Doctrine
“The physical ownership of an item such as a book, painting, manuscript or CD is not the same as owning the copyright to the work embodied in that item.

Under the First Sale Doctrine (Section 109 of the Copyright Act), ownership of a physical copy of a copyright-protected work permits lending, reselling, disposing, etc., of the item. However, it does not permit reproducing the material, publicly displaying or performing it, or engaging in any of the acts reserved for the copyright holder. Why? Because the transfer of the physical copy does not transfer the copyright holder’s rights to the work. Even including an attribution on a copied work (for example, putting the author’s name on it) does not eliminate the need to obtain the copyright holder’s consent. To use copyrighted materials lawfully, you must secure permission from the applicable copyright holders or a copyright licensing agent.

Duration of Copyright
The term of copyright protection depends upon the date of creation. A work created on or after January 1, 1978, is ordinarily protected by copyright from the moment of its creation until 70 years after the author’s death.

For works made for hire, anonymous works and pseudonymous works (unless the author’s identity is revealed in Copyright Office records), the duration of copyright is 95 years from publication or 120 years from creation, whichever is shorter.

For works created, published or registered before January 1, 1978, or for more detailed information, you may wish to refer to the public domain section of this guide or request Circular 15 ( “Renewal of Copyright”), Circular 15a (“Duration of Copyright”) and Circular 15t (“Extension of Copyright Terms”) from the U.S. Copyright Office Web site, www.copyright.gov.

Registration and Notification of Copyright
The way in which copyright protection is secured is frequently misunderstood. Copyright is secured automatically when the work is created and fixed in a tangible form, such as the first time it is written or recorded. No other action is required to secure copyright protection – neither publication, registration nor other action in the Copyright Office (although registration is recommended).

The use of a copyright notice is no longer required under U.S. law, although it is recommended. This requirement was eliminated when the United States adhered to the Berne Convention effective March 1, 1989. If a copyright holder wants to use a copyright notice, he or she may do so freely without permission from or registration with the U.S. Copyright Office. In fact, the use of a copyright notice is recommended because it reminds the public that the work is protected by copyright.

A copyright notice should contain all the following three elements:
The symbol © (the letter C in a circle), the word “Copyright” or the abbreviation “Copr.”
The year when the work was first created.
The name of the owner of the copyright.
Example: © 2005 John Doe

Public Domain
The public domain comprises all works that are either no longer protected by copyright or never were. It should not be confused with the mere fact that a work is publicly available (such as information in books or periodicals, or content on the Internet).

Essentially, all works first published in the United States before 1923 are considered to be in the public domain in the United States. The public domain also extends to works published between 1923 and 1963 on which copyright registrations were not renewed.

All materials created since 1989, except those created by the U.S. federal government, are presumptively protected by copyright. As a result, the chances are high that the materials of greatest interest to students and faculty are not in the public domain. In addition, you must also consider other forms of legal protection such as trademark or patent protection before reusing third-party content.”

The Campus Guide to Copyright Compliance, COPYRIGHT BASICS: WHAT IS COPYRIGHT LAW? Para 2-12 https://www.copyright.com/Services/copyrightoncampus/basics/law.html

 


 

 

Twinkle Wood-VanFleet

November 14 at 8:13pm · Edited ·

 

Copyright! For my friends, family and interested parties who continue to be violated.. For those of you whose works are being taken, altered, and your names removed from your pieces.

“Copyright protection exists from the moment a work is created in a fixed, tangible form of expression. The copyright immediately becomes the property of the author who created the work. Only the author, or those deriving their rights through the author, can rightfully claim copyright. ” For works created after January 1, 1978, is ordinarily protected by copyright from the moment of its creation until 70 years after the author’s death. For works made for hire, anonymous works and pseudonymous works (unless the author’s identity is revealed in Copyright Office records), the duration of copyright is 95 years from publication or 120 years from creation, whichever is shorter.

This means that many of my works are covered at an average of 100 years regardless of whether or not you know who it originated from. Those in my name are mine for 70 years after my death.

So while better protection may exist through the Library of Congress, people are not blind to knowing when they steal and alter what is not theirs. I can tell you exactly how to maintain proof without LOC records. Accidental violations sometimes happen when sharing someone elses work, do be mindful in this situation to mark it as “unknown” until which time the author , artist or creator can be credited. Removing credit from images, taking people’s lines from articles, poetry, lyrics and even off their Facebook comments is stealing.

If you think that public domain means you get to have it It does not! The term “public domain” refers to creative materials that are NOT protected by intellectual property laws such as copyright, trademark, or patent laws.

Be advised! ~Twinkle V.

 

(Names, likes, and shares have been removed to maintain privacy; the original is available at its posted location)

Comments

S.W. Thank you for posting this……I’m so tired of stuff being remade with their initials and no credit given to the real maker.

Twinkle Wood-VanFleet You’re most welcome, S! Thank you!

Twinkle Wood-VanFleet All too often, K. They don’t care.

 

Twinkle Wood-VanFleet People create beautiful images and they are taken, altered, or re created as something new. People create amazing works of writing, intellectual thought and re create it thinking if they add a few words it’s theirs. It’s not. They need to cite the original.

 

Twinkle Wood-VanFleet We all learn from somewhere. It’s how knowledge is gained. We take what we learn and re invent our own thoughts, but all of what has been happening to people is too much. Too many people who spend time, their hearts, education, experiences, even their thought process……….. taken.

Twinkle Wood-VanFleet Thank you, S.

 

D O’N Thank you for posting this. I dont share a lot of my poems because of the very reason someone else might publish something I wrote

Twinkle Wood-VanFleet Most welcome D. I know what you mean and it’s a shame that you don’t because you feel you can’t because they won’t be yours anymore. Everything that is yours, remains yours. I risk myself too sharing some, others are protected better. I finally decided that I’m not going to let other people who do these things keep me from what I love, enjoy, find peace and contentment in and what others enjoy reading, too. I know how to keep an eye on my work, where it ends up and any alterations. Most of us who create, whether it be articles, artwork, poetry, etc don’t mind our pieces being shared, all we want is for it to be kept in the original form and credited. It’s the proper way. x

  • November 15 at 10:31am
  • J. W. I often wonder about that in regards to photos I post. I post them for everyone to enjoy, but I would hate for someone to take credit for them. I should probably watermark them, but it kinda ruins the photo…

Twinkle Wood-VanFleet Right J! I’ve seen a few of your photos. Beautiful ones, too. And I know what you mean about watermarks. We just shouldn’t have to, please consider adding your c (name) in an area even though it’s already yours. At least if people use the share button it’s reasonable because it’s tracked directly from you, your original share. But people even removed that. The other day a lady posted a graphic and even though she shared it to me and others, I asked permission to re share, she didn’t even want credit necessarily because sometimes we share to just share, but it was important for me to credit her because for one it’s right and secondly I’m thankful for all I get to see, and I’m appreciative of time and heart each of you put into what you do, and I like to say thank you when I can. I know, well we all know for each other, we’ll never be able to get to everyone’s shares to thank, but when we can it’s nice. I’ll never be able to get to all of yours, there’s no way all of you can get to all of mine or each other’s either (too much activity ol/fb etc) but when we are able it’s nice.

 

D O’N I had someone take poetry I wrote from me and took credit for it.
So it rare that you see my poetry . Sometimes they change the words just a tad.
I would share more if I knew it wasn’t taken.
I will add though that when you do searches for quotes or pictures a lot come up without any ones name on the work.
I like the idea of putting unknown on something that’s not marked but then does it give someone the opportunity to say … I wrote that or that pictures mine ?

Twinkle Wood-VanFleet Yes and no D. Yes in that anyone can claim anything, the opportunity is always there to claim it, no in that when it comes to you being the actual writer up against them taking it or altering the piece they would have to prove it was theirs before it was yours. Most artists have proof simply because they were the ones who created it. Think about this. In this example, I’ll use only FB as an example with something shared that’s been shared no where else.. Something is posted on Facebook for the first time. You, me, someone else. Later at any point it re appears in someone else’s name. A record of proof has already been created. Your proof. Facebook itself is a record of proof in it’s own way. Each post is time stamped. How would the other person be able to claim authorship? The only way they could is to then claim they have an original in hard copy or digital form prior to sharing. Being on FB doesn’t allow others to take. Facebook terms and conditions grants FB uses but not individuals. And there the legal part begins and a judge will decide. Instead of going on and on, here’s a link that can help too, it refers to unknown authors and images from the web toward the end using MLA citations and “according to” http://uca.edu/writingc…/mla-basics/mla-in-text-citations/ smile emoticon

MLA In-Text Citations — Writing Center

MLA style uses in-text citations to give credit to authors when paraphrasing or quoting their ideas. In-text citations include two parts, the lead-in phrase and the parenthetical citation.

UCA.EDU

 


Having spent nearly 40 years as a writer in one capacity or another, I’ve always been quite knowledgeable in this area. Having a publishing business licensed in the City of West Sacramento in the mid 1990’s and studying Corporate Publishing in 2005 assisted my knowledge even further. Every now and then I try to re share this combined knowledge.

There will always be someone who will try to take your original works from you, but remember there are steps they have to go through to prove they owned your words before you did.

I hope the above has eased you and I hope it has informed those who are inclined to snatch what doesn’t belong to them.

 

~Twinkle VanFleet


 

The Campus Guide to Copyright Compliance

COPYRIGHT BASICS: WHAT IS COPYRIGHT LAW?

https://www.copyright.com/Services/copyrightoncampus/basics/law.html

 

United States Copyright Office

A Department of the Library of Congress

http://www.copyright.gov/

 

Library of Congress

https://www.loc.gov/

Image Credit - Library of Congress - https://www.loc.gov/

Image Credit – Library of Congress – https://www.loc.gov/

 

 

 

 

MLA In-Text Citations

http://uca.edu/writingcenter/mla-basics/mla-in-text-citations/